Just as Franco Serblin had done parting ways with his company sonus Faber three years earlier, Dan decided to immortalize his own name in the name of his new company. The answer came as early as January 2010 during the CES exhibition in Las Vegas with the Momentum amplifier from new company Dan D’Agostino Master Audio Systems. Literally overnight the D'Agostino family which had founded and directed the company for 29 years was escorted to the front door. The financial details of the Krell takeover are not known but it clearly turned unpleasant. He left the company shortly afterwards accompanied by ex wife Rondi with whom he'd started the company in 1970 together with their eldest son Bren, head of technical projects. Selling his shares in Krell to investors from KP Partners in 2009, little did he know that it would prove to be a kiss goodbye. Review component retail in Poland: 124.000złĭan D'Agostino is an iconic person, a legendary figure and founder and longtime owner of Krell Industries.
#300 lektor polski pro
Resonance control: Finite Elemente Ceraball under CD player, Audio Revive RAF-48 platform under CD player and preamplifier, Pro Audio Bono PAB SE platform under Leben CS300 XS Stand: Base IV custom under all components Power strip: Acoustic Revive RTP-4eu Ultimate Power cables (all equipment): Acrolink Mexcel 7N-PC9300 Interconnects: CD/preamp Acrolink Mexcel 7N-DA6300, preamp/power amp Acrolink 8N-A2080III Evo Headphones: Sennheiser HD800, AKG K701, Beyerdynamic DT-990 Pro 600Ω vintage, HifiMan HE6 Loudspeakers: Harbeth M40.1 Domestic + Acoustic Revive custom speaker stand Integrated amplifier/headphone amplifier: Leben CS300 XS Custom Preamplifier: Ayon Audio Polaris III Signature with Regenerator power supply Phono preamplifier: RCM Audio Sensor Prelude ICĬartridges: Miyajima Laboratory Shilabe & Kansui All images contained in this review are the property of High Fidelity or D'Agostino Inc- EdĬD player: Ancient Audio Lektor Air V-edition As is customary for our own articles, the writer's signature at review's end shows an e-mail address should you have questions or wish to send feedback. We publish its English translation in a mutual syndication arrangement with publisher Wojciech Pacula. You can also read it in its original Polish version here. This review first appeared in the March 2013 issue of hi-end hifi magazine High Fidelity of Poland.
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